“Walk
the Line” by
Jason Callan
The Man in
Black, “Walk the Line” (directed by
James Mangold
of buzz worthy “Girl-Interrupted” that unleashed Angelina
Jolie on the world and that turd of a movie “Copland”) is
the story of Country legend Johnny Cash and his meteoric
rise to fame and blossoming love with June Carter. The film
traces the early portion of Cash’s career from age 10
through his tortured childhood, rise to fame, drug
addiction, hitting rock bottom and redemption (can you say
every episode of VH1’s “Behind the Music”?). The film is
far more than that and vastly exceeded my expectations,
especially considering my deep and unsettling hatred for
musicals.
Johnny Cash
is not merely portrayed but channeled by
Joaquin Phoenix
(of “SpaceCamp”
and being the brother of that River guy who o’ded fame). I
am sure hoping to catch the up swell of fame, fortune, and
the best actor Oscar snagged by Jamie Foxx for “Ray”,
Phoenix completely immerses himself in the portrayal
including 6 months of vocal training with the legendary
T-Bone Burnett and adeptly sings every song featured in the
film. The voice, gyrations, and stage presence are a
striking portrayal of Cash who was known more for not
sounding like anyone else than being a tremendous talent.
Unlike “Ray” which tagged on musical performance to showcase
Jamie Foxx’s unbelievable impersonation of Ray Charles while
adding nothing to the plot, the music sequences in Walk the
Line are integral to the story as we get to really see the
growth of this man as a musician and the attraction of fame
and notoriety and how it effects the person. Phoenix may
fall short of the statue this year as he may have been
overshadowed by his co-star.
Reese Witherspoon
of “Legally Blonde” fame (a movie about who Paris Hilton
could have been if she had 1/8 of a brain) plays June Carter
and may have stolen the show from Phoenix. It would have
been easy to portray June as the hillbilly bumpkin she
played on stage and written her off as a minor character,
but Witherspoon does not allow that to happen. Her
performances on stage are particularly well done, and the
duets with Phoenix really showcase the chemistry between
these two actors that really makes you believe in this love
story. When you couple that with the intensity she
portrayed in June’s tortured relationships and the pressures
of living in an entertainment family, Reese deserves serious
Oscar consideration for her performance.
Walk the
Line lived up to the Oscar hype, and should win some kudos
before the evening is over, and it’s not just because they
aren’t lip-synching, big fucking deal that doesn’t make a
great film. It’s a great story with memorable performances,
and even if you don’t enjoy both types of music, country &
western, take the time to step into this ring of fire.